But, as the song's "can't believe we made it / this is what we're thankful for" refrain makes clear, it's simultaneously a celebration, a reclamation of cultural space, and a transformation of cultural space. It pays tribute to the historic struggles and sacrifices made by - or, more often, forced upon - the black community, as well as those injustices still apparent today (consider the scenes at 3:30 and 4:40 in the video juxtaposing protests and the #TakeAKnee movement). The vast majority of them would have rubbed shoulders with the same famous artworks that appeared this week in The Carters' (that's. Voici toutes les peintures et les sculptures quils mettent en valeur à limage. BBC More than 8 million people visited the Louvre in 2017. The video showcases highlights of the museum's collection to weave a narrative of black empowerment and excellence, as both a representation of and response to the artworks featured. Beyoncé et Jay Z ont sorti leur nouvel album samedi soir, rendant public un clip tourné au Musée du Louvre. Presenting its viewers, who may not be able to afford the trip to Paris to visit the Louvre, with an experience of closeness and intimate proximity to art, APESHIT enables them to feel as though they are there. (Let's hope there was a good mood board presentation involved?) "The deadlines were very tight, but the Louvre was quickly convinced because the synopsis showed a real attachment to the museum and its beloved artworks."Īnd let's be clear, "Apeshit" is a work of art itself. In the video, Beyoncé and Jay-Z are shown in the close and intimate proximity to art usually reserved for the rich. What a Saturday night Following a concert in London, Beyoncé and Jay-Z released a new. "During their last visit in May 2018, explained their idea," a Louvre spokesperson told Vulture. Beyoncé and Jay-Z’s engagement with the Louvre’s European canon shouldn’t be flattened into a shorthand for transgression. More than 8 million people visited the Louvre in 2017. A still from the new video for Beyoncé and Jay-Z ‘s song Apeshit. Also, the whole project was somehow kept totally secret! The thematic trail can be printed off, or followed on your phone via the art museum’s website. And sure, everything was love fine, because I mean, who had plans over the weekend anyway?! Oh, and on top of the nine track-long record (10 if you count bonus track "Salud," I suppose) Bey and Jay also debuted a video for "Apeshit," which they shot IN THE LOUVRE, having been granted private access to the museum for filming. The Louvre is offering a Beyonce and Jay-Z themed tour. Beyoncé and Jay-Z - or The Carters, technically - dropped a surprise album, Everything is Love, on Saturday night. The Louvres art and architecture is a character all its own in the video, which is why the museum said oui so quickly when the Carters asked to film inside. Our argument is threefold: (1) the aesthetics of the APESHIT music video builds on and contributes to the Afrosurrealist artistic tradition, engaging with contemporary Blackness via the strange and absurd (2) the music video itself creates performance art that intervenes in and extends beyond the Louvre and audiovisually re-curates its.
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